my creative space

The kiln gods have been kind to me of late; my new batch of clear gloss glaze works perfectly. Phew. I've been preparing work for a Christmas retail showcase in Brisbane this year, but now that most of the pieces are finished, I'm having a confidence crisis. So my creative space is full of glazed pots. I was asked to make some feather pots without the coloured glazes, so 2 of these square slip-cast sets are just clear gloss glazed. I like them, but I worry that they are too plain; there is only one or two feathers on just one side of each piece and now I feel I should have painted more feathers. I've been making this collection with the bright glazes for 5 months now, maybe I'm just too used to them.

Lined up like this, they look great, simple with a touch of colour. I've finally perfected the paint layers to achieve those bright colours.
But when seated together, they look so...white. Not even white, because the clay is stoneware, not porcelain. The bases are a little uneven too, so they wobble a bit. This can't be helped, some pots have a tendancy to warp in the kiln, especially wide flat pieces like the trays. I feel like the quality should be higher for a high profile retail showcase like this. But at the same time I can't see a way that I could have improved the production and that the point of the showcase is to promote handmade. That means imperfect.

I'm so worried that I'll send these to Brisbane and they won't like them! What if I'm told that they're no good?! I'll have ruined my first wholesale opportunity! I'd love to hear some advice from folks who are in/have been in this situation? For now I will calm myself with tea and tim tams and visit Kootoyoo to distract myself.

bird brains

Friday was a nice quiet day to tidy up and paint my slip cast birdies. Half of the other students arrived late and other half didn't turn up at all, so peace and quiet reigned for all of, oh, an hour and a half?! As my lorikeets are so small and narrow, I've been having difficulty in pouring the slip into the molds (it's quite thick and tricky to get into small spaces) so some of them have hollow heads. So I have been filling the hole at the top of their heads and piercing 2 smaller holes either side of their head, to be conveniently disguised as eyes!
I've also pierced 2 holes where their legs would be. The plan is, once they are fired, to glue some wire in the holes then wrap it around the branches to hold the birds in place.
See my precarious demonstration of how they will sit?! Bad ceramic student, holding greenware by the narrowest point.

Ceramic paints, bird, bird, bird, bird, bird, bird, bird, bird, bird, brushes, potter's knife, dark chocolate tim tam, laptop to reference, oh, about 100 photos of lorikeets?!

So many happy looking birds! I must say thank you to everyone who left a comment on My Creative Space this week, I have never received so many quality, supportive and interested comments! You made my day!

my creative space

I'm being a good girl and attempting to complete all my college work before the deadline. Ceramic units seem so much easier to finish on time; painting or drawing projects must be harder to organise. Or maybe I lack the necessary motivation? I think I overcommit myself to my sketch book too...I have a big love of 'visual diaries', stretching back to my first year of high school, so research papers and portfolio works tend to get neglected.

Watercolour paints, blue nail varnish (for my nails, not my college work...), watercolour pencils, mint tea, Bird book.
Jewellery pliers, silver wire, moo cards, edward monkton calender, tim tam, paintbrushes, pens, pencils, scissors, masking fluid, non-college sketch book, pretty girl design

You should really pop over and see Kootoyoo, there'll be some nice creative types over there today :)